Kayode Ojo’s ‘Walk Two Moons’ (2023) (Photo: courtesy of Art Intelligence Global)
Cover Kayode Ojo’s ‘Walk Two Moons’ (2023) (Photo: courtesy of Art Intelligence Global)

Whether you are an art novice or a connoisseur, up your art ante with these stimulating summer shows in Hong Kong

Looking for your next culture fix? This summer, Hong Kong’s talented art community is staging multiple art exhibitions across the city that will surely appeal to a wide range of tastes. From ostensibly shiny objects that throw shade at materialism through their tacky allure to minimalist or mixed media installations that evoke nostalgia, there’s something for everyone.

Even if you don’t “get” art and are just looking for an air-conditioned space to hide from the sun for a few hours (we’re not judging), these exhibitions will provide enough stimulation for the eyes and brain, we’re sure you’ll enjoy spending time soaking in the art even if you are just casually wandering through. 

In case you missed it: Piece of work: How is Méret Oppenheim’s ‘Object (Le Déjeuner en Fourrure)’ art?

1. ‘Found in Translation’

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Above Installation view of “Found in Translation” (Photo: courtesy of Art Intelligence Global)

Enter Art Intelligence Global’s (AIG) gallery space this summer for the Found in Translation exhibition, and you’d be forgiven if you think you’ve walked into the middle of a murder scene in a glamorous hotel room. The New York-based artist Kayode Ojo’s glittering sculptures evoke the sense of a wild party gone wrong—take for example, the shiny gold boots stuffed with liquor bottles and bound by handcuffs on top of a red briefcase, and white fur coats flung over a stand placed over a white carpet on which a glass pistol also lies discarded.

Elsewhere in the show, another New York-based artist Cynthia Talmadge’s intricate sand renderings of old Hong Kong hotel stationery evoke nostalgia and highlight a lost form of correspondence—letter writing with pen pals.

Also featured in this exhibition is Talmadge’s longtime friend, NGO Asia Art Archive’s executive director Christopher K. Ho, whose glossy and reflective sculptures, while ambiguous in interpretation, comment on the monotonous aspect of hotel sculpture or hotel art.

The exhibition, which focuses on the experiences and feelings that one encounters at a hotel, is titled Found in Translation as a spin on the 2003 film Lost in Translation, starring Billy Murray and Scarlett Johansson, in which two strangers crossing paths in a hotel. The exhibition explores the idea of a hotel as a liminal space that can be both familiar and foreign, public and private. With the gallery itself being located in the same building as the Arca, a hotel in Wong Chuk Hang, this lends further layers of nuance to the viewing experience.

While the exhibition is staged at AIG, the show is co-presented and organised by Eleanor Rines, founder of 56 Henry, a New York-based gallery. Works by David Roy, Jo Messer, Kevin Reinhardt, Kevin Zucker and Laurie Simmons are also on view. 

Until August 25, Suite A, 1/F, TS Tower, 43 Heung Yip Rd, Wong Chuk Hang

2. ‘Pocono Zhao Yu: Pomegranate’ | 赵玉:石榴

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Above Pocono Zhao Yu’s pomegranate-inspired installation (Photo: courtesy of Mou Projects)

The humble fruit, pomegranate, takes centre stage at Paris-based artist Pocono Zhao Yu’s solo exhibition, Pocono Zhao Yu: Pomegranate, at Mou Projects gallery.

Inspired by her childhood memories of pomegranate trees in her grandfather’s house, the artist explores personal histories, identity and migration through installations that are ripe with symbolism, such as fertility and desire, that often associated with pomegranates. Born in 1990 in Shanxi, China, this is Yu’s first solo exhibition in Hong Kong.

Until August 31, Mou Projects, Room 202, The Factory, 1 Yip Fat St, Wong Chuk Hang

3. ‘New Moroism’

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Above Michael Ho’s “River Gestures Before Dawn” (2023) (Photo: courtesy of White Cube)

White Cube Hong Kong’s summer exhibition New Moroism features four painters whose roots are in Asia but who are based around the world: Michael Ho, Chris Huen Sin-kan, Timothy Lai and Su Yu-xin.

From Sin’s distinctive use of Chinese ink to depict domestic environments and Ho’s references to Chinese mythology to Su’s unique application of paint and Lai’s exploration of the intimacy and tension in familial dynamics, their artworks challenge our visual perception of the world with their abstract blurriness and the richness of small details and motifs.

Until September 9, White Cube Hong Kong, 50 Connaught Rd Central, Central

4. ‘In Search of Home’

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Above Wu Sibo’s “Balloon Vendor” (2022) (Photo: courtesy of Flowers Gallery)

The exploration of home, both as a concept and as a place, is the foundation of Flowers Gallery’s upcoming exhibition, In Search of Home. It features works by three artists who highlight the complexities intrinsic to the idea of home and offer their own interpretations of what a home can mean. Chinese artist Wu Sibo’s poignant paintings take his hometown in western Guangdong as a starting point to explore the locality’s mining history and corruption—the artworks’ deliberately blurry quality is an indicator of the area’s environmental problems.

Meanwhile, visual artist and filmmaker Luka Yuanyuan Yang sheds light on the memories and trauma of Chinese immigrants, who experienced the Chinese Exclusion Act (1882-1943) and other forms of discrimination in the US, in her film Tales of Chinatown (2021). Fellow Chinese artist Joyce Ho’s gate-like installation, Balancing Act (2018), which appears to be misaligned and precariously balanced, encourages viewers to reflect on the problematic nature of boundaries. 

From July 27 to September 9, Flowers Gallery, 49 Tung Street, Sheung Wan

5. ‘Marginal Notes’

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Installation view of Mark Chung's Dead End at ACO (2022) (Photo: courtesy the artist)
Above Mark Chung’s ‘Dead End’ (2022) (Photo: courtesy of the artist)

The Art Development Council is inaugurating its new Wong Chuk Hang exhibition space in Landmark South with an exhibition titled Marginal Notes. Curated by Ying Kwok, the exhibition showcases the evolving history of Wong Chuk Hang from a fertile farmland which produced a portion of the city’s food supply in early 20th century to an industrial hub from the 1950s to this day—and its further evolution in current times as home for art galleries and creative studios.

Both established and emerging local artists interpret this neighbourhood on a range of mediums and media; Kong Chun Hei’s installation of suction cups at the gallery space’s large road-facing window is a twist on an architectural feature of the old Wong Chuk Hang housing estate which was replaced by the MTR. While Mark Chung’s photo collage consisting of approximately 150 drone images, and Tap Chan’s textured light box installation made from nylon strings (commonly used for packaging, both reference the district’s once-flourishing printing businesses.

Also on display are works by several other artists such as Eastman Cheng, Margaret Chu, Kongkee, Lam Siu-wing, Li Ning, Ocean Leung, Tang Kwok-san, Yuen Nga-chi and To Kai-on Benny, all of which capture an almost forgotten side of the city, making Marginal Notes a true tribute to Hong Kong.

From July 18 to October 1, UG, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

Editor’s pick: Of all the artworks in the exhibitions listed above, the ones you absolutely do not want to miss are Michael Ho and Timothy Lai’s painting at White Cube for their intricate hidden details, references and technical qualities; Found in Translation at AIG for its element of discovery, curatorial concept and aesthetic impact; and Wu Sibo’s works at Flowers Gallery for their haunting quality.

 

 

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