In order to achieve the lifelike details of the dragon, which is incorporated into the skeletonised movement, hours were spent on computer-assisted design programming to ensure the integrity of the construction.

When it came to the actual engraving, the team at Olivier Vaucher paired the sapphire with red gold for the head and feet to create a striking contrast. The choice of two materials reflect the Chinese philosophy of yin (sapphire) and yang (gold), the concept of opposing forces balancing each other out.

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A new hand-polishing technique was also developed to enhance the beauty of the sapphire. The eyes and the tongue are painted in red, an arduous task that succeeded in giving the dragon an intimidating presence.

Created exclusively for Asia, production is limited to 55 pieces, five of which in sapphire crystal case.

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